Gender, Sexuality, and Indian Cinema: Queer Visuals edited by Srija Sanyal (2023): A Review by Ramsha Aveen
Cinema is not only a powerful tool of leisure, entertainment, and culture in society but importantly a reflection, even if…
Partition Plight Through the Lens of Marvel Cinematic Universe – Ayushi Dutta
The Barbed Wires While the desire to wake up to an independent nation was high among the people, the great…
The Fundamentals of Celebrity Worship – Amratha Lekshmi A J
Shah Rukh Khan’s yet another blockbuster (Jawaan) on ‘mass hero image’ runs in theatres as I write. Much has been…
Vasantasena’s Lychpin, Memory Games and Re-Membering in Pathaan: A Reading in Three Scenes – Paromita Vohra
Link to the editorial note and the panel discussion can be found here. KYA TUM MUSALMAN HO?: KAL/YESTERDAY (OR, WHICH FILM…
‘Normal’ Women in Cinema – Ashlesha Joshi
The world of cinema, like any other, has found itself faced with increased scrutiny in recent times (and rightly so)…
Recreating The ‘Social’: For a Radical Image in Bollywood – Anamika Das
I grew up watching commercial Bollywood films[i]. Though now I am more exposed to cinema from across the world, I…